We had a television in the 1950's. I barely remember what it looked like. My recollection is one of a large wooden box with veneer that encased a huge picture tube. When you took the back off there was a metal board that all these different sized tubes of glass were set into. When something didn't work, a repairman came to the house and replaced one of those tubes and you were back in business
I was not limited to any particular number of hours of watching. I could watch anything I wanted up until Dad came home. Then the TV was his and we watched what he wanted. I didn't like everything that he watched but there were shows that I hated missing. They may have been in black and white, but I don't remember that spoiling my enjoyment one bit.
Perry Mason

Erle Stanley Gardner wrote the original Perry Mason books and formed a company, Paisano Productions for the TV version of his character. Although he didn't write the scripts, he had approval and stacked the production team with real lawyers to keep things interesting.
The formula was consistent. Perry Mason (Raymond Burr) got a new client and the first half hour was about the crime. Paul Drake (William Hopper) was sent out to investigate but rarely found anything close to a smoking gun until the trial had begun.
Perry was assisted by his able and loyal secretary, Della Street (Barbara Hale).
His principle adversary was District Attorney Hamilton Burger (William Talman). Hard as Burger tried, he couldn't beat Perry.
In most episodes, the real guilty party broke down under Mason's grilling cross-examination. Or blurted it out from the spectator's gallery. Then Perry, Della and Paul would recap the case, just in case we hadn't figured it out.
The Ed Sullivan Show

When asked on air by Jack Benny, what do you do on this show, Ed Sullivan replied, "I introduce the acts."
He was awkward looking, had horrible posture, spoke with an odd accent, couldn't sing, dance or act and was on television for 23 years. Why? Ed Sullivan was one of the greatest showman who ever lived. It was a really good "shew".
Sunday nights the family gathered around the TV and watched Sullivan. We saw jugglers, opera, ballet, lions and tigers and bears, singers, comediennes, puppeteers and ventriloquists. As the I got older, I wanted the plate spinning, tumbling, knife throwing to end fast so I could see the Rock stars.
77 Sunset Strip

The prototype for the suave Private Eye show!
Stu Bailey (Ephraim Zimbalist Jr) was an Ivy League Ph.D. who had been an OSS officer. Spencer (Roger Smith) has also been an undercover agent and was a lawyer. Both were judo experts.
Their offices were at 77 Sunset Strip in Hollywood.
Next door was the posh restaurant, Dino's Lodge at number 79, where the "ginchiest" carpark of all time, Kookie (Ed Brynes) worked and gabbed. The dreamboat Brynes became a heartthrob and recorded "Kookie, Kookie, Lend Me Your Comb" with Connie Stevens.
I was too young to know what a heartthrob was, but I knew I liked him.
In my family this was "Must See TV" before there was such a phrase. There was no nudity, partial or otherwise, no blatant sexual suggestions. Well written scripts and plain old fashioned entertainment kept the average family sitting in front of the television when reception was poor, and you only had 3 or 5 channels depending on where you lived. In order to tolerate the snow and the interference you had to have good quality shows to capture an audience. We were captured, and still are.